Group magic.

Vernon and the greats used it. Fred Kaps used it.Peter Warlock, Jack Avis, Francis Haxton and other names used it. And I’ve used it together with Alex Elmsley, Jack Avis, Lewis Jones, Bob Read and others. So what is group magic?

I’m not knocking the magic clubs, the conventions and celebrity lectures but to get to the real meat of magic free thinking and creativity you assemble a group of magic friends who you admire, are talented and with whom you can talk freely without inhibition. You meet in someone’s home say once every six weeks on an evening. You talk, show things, ideas, discuss dvds, other magicians, the latest magic items but you talk freely. Everyone has to show or discuss at least one item during the evening, It can be a trick, a move and even just an idea and everyone says truthfully what they think. Nobody takes offence – nobody is offended if someone says it’s not as good as so and so. It’s a very free discussion on your magic, the magic scene, anything and the criticism is not personal but genuine. And the presenter accepts the comment in good faith,

The results are outstanding. Just a little suggestion about the handling of a move, or an idea that takes a trick in another direction, or a recollection from something seen in the past. In Jack and Alex’s day some wonderful thinking came out of these group meetings that helped create outstanding magic.And I can personally testify to many genuine ideas that have made all the difference in my own presentations of a stage or close-up effect. Just someone seeing the idea from a different direction can make a world of difference.

There are really only two rules. Pick a group of six or seven magic friends whose work or thinking your really admire (and they of you) and be very open in your discussion and throwing out any ideas.

Whilst Jack and Alex and Bernard Weller, all former members of our group have passed on we currently have six like-minded magi, but each with different interests and skills. They are Lewis Jones, Tom Whitestone, Angelo Carbone. Michael Symes, Don Wyatt and myself.

And whilst we all enjoy magic club life we are all agreed that some real valuable, in-depth magic and ideas has resulted from these meetings that would not have been possible in the everyday social atmosphere of the average magic club. Noel Britten has said that you are not as good as you think you are and he’s right

I promise you, this is a really valuable concept that will improve your own magic. And it costs nothing but effort.

I’ve done this for a number of years and when Jack Avis and Alex Elmsley were alive they too were part of this gathering and as you would expect much opinion, dogma and revelation results from the assembly which can often last until the early hours of the morning. This year was no exception.

Casually sprawled around his lounge and dining room were well-known mental man Ian Rowland, U.S. import and Circle editor Matt Field,  professional musician and magician Tom Whitestone, magician, Circle curator and leading writer and lecturer on garden design Michael Syme, top professional magician and  successful author Geoffrey Durham, magician, accountant and publisher Don Wyatt,magician, athlete  and vice president of the IBM Singapore ring Enrico Varelli and  his partner Melina, magician, professional hypnotist and legal scholar Martin Taylor, the brightest magical inventor in the magical firmament Angelo Carbone and me, magician and retired international playboy.

Faithfully serviced throughout the day with wine and oriental tit bits,, cakes. fruit etc by Lewis and Sush followed by a magnificent dinner at a twelve feet long table to which the most delectable curries and associated dishes suitably edited for European palates were graciously presented as the perfect accompaniment for the endless conversation which probed every magic nook and cranny arriving at little conclusion.

This may sound flowery but the stimulus and wonderful hospitality offered by Lewis and Sush Jones is for me ( a well known foodie) one of the highlights of the magical social calendar. Many arguments and thoughts were considered but none that will change the course of magic knowledge in the next decade.

Such events, and there are many that are held by magic names around the country are amongst the finest meetings of the minds that are held in the community. To be invited to the Jone’s Curry and Conjuring Sunday is an honour indeed.

I’m thinking here of far-flung magical thinkers like Stewart James, buried in the wilderness of Canada whose output and ideas were revolutionary. Others like Peter Duffie, a man who is largely incommunicado, hidden in the outskirts of Glasgow and his nearby neighbour Roy Walton who is rarely seen but whose original output over the years has led to world fame. Another was Jack Avis who published over six hundred effects and routines during a lifetime of reading and research pursued in an armchair in Sydenham and who presented magic to an audience on less than six occasions.

But there is another ghost, also hiding in a tree-lined street in SE26, not a cough away from Jack Avis. Lewis Jones. Whose close proximity led to regular weekly meetings that resulted in a huge output of magic ideas that were jointly published in a book “Ahead of the Pack.” You may have seen his name in books and magazines from time to time but are not familiar with his work. But many of the greats have applauded his ideas and creativity. Paul Daniels admits to having included several of Jones’s routines in his permanent performances. Michael Close has compared him with Stewart James. Ian Rowland says he has a remarkable mind with alarmingly baffling plots. Al Smith compares him to Paul Curry and Stewart James. Steve Beam states that Jones is in his top ten card men of the world and Penn & Teller said “Don’t buy his books – they give away too many secrets!”

Jones has spent a lifetime in pure magic creativity lubricated  by his academic background in languages and science. He has come up with some quite brilliant ideas and filled twelve books with some of the most profound thinking to be seen this side of Annemann, T.A. Waters and Larry Becker. A quiet, polite, retiring personality who looks something like a university professor and whose dogged pursuit of magical knowledge is prodigious. He has authored hundreds of ideas with cards, coins, small magic, mental magic, mathematical principles and others utilising his probing mind.

Born in Newcastle-upon-Tyne his first contact with magic was a performance by Dante at a local theatre, a casual interest that stayed with him throughout his childhood. Later he won a state scholarship to Cambridge University where he graduated in modern languages. With a vivid imagination and a natural aptitude for writing he created a number of radio drama scripts and short stories for the BBC at the same time feeding his interest in magic theory and detail throughout his academic years. Like Avis he is an avid reader and collector of information and he began to amass books and references on magic and other subjects relevant to his profession. A habit that continues today where the walls of his home are hidden by thousands of books, a collection that required him to move to a larger house some years ago. At one time he was regularly in touch with famed magic bookseller George Jenness who kept him fed with volumes of the latest magic.

On leaving university he wrote scripts and took a number of teaching posts and was then offered a position in Singapore working as a script writer and producer in national radio. The opportunity to work in a small, flexible, creative environment suited his temperament and he stayed for eleven years. Not only was he writing plays, scripts and producing programmes, but he became a broadcaster and commentator on various events including badminton which had become a passion and an active pastime.

It was here that he met Susheela Devi, the lead violinist in the Singapore Symphony Orchestra that led to their return to England where she took up a position with Sadlers Wells. Lewis became a freelance writer and scripted a number of science series for the BBC for many years. Today, in semi retirement he still makes contributions on scientific matters to American publications.  It was in England that he recognised a face in a TV magic show of a former pupil at his school. It was Martin Breese and the two met and celebrated their hitherto unknown interest in magic.

His analytical and encyclopaedic mind has devised many codes, cryptographic and mathematical methods that have led to the publication of several highly praised magic books and manuscripts. His long distance thought-reading effect “Transmission Impossible” was used by Paul Daniels as a climax to one of his TV magic spectaculars.

In constant touch with many of the scattered, like-minded, worldwide magi he continues today developing ideas, making notes and observing the world scene of serious magic. To this end he flies back to Singapore twice a year to keep contact with his friends in and out of magic. Here they made him an honorary member of the IBM. This octogenarian wizard shows no let up in his output having just completed and published his twelfth book “The Magic Gourmet” which has received enthusiastic reviews worldwide.

On the shelves of many of the world’s finest creators of magic you will find Jones’s lifetime output – Shampagne, Imp Romp 2, The Spring of 52, Cardiograms, Con Sessions, Lusions, Counter Feats, The Paragon Move, Person to Person – a book of teleohone telepathy, Ahead of the Pack (with Jack Avis), Seventh Heaven, Encyclopedia of Impromptu Card Forces and now The Magic Gourmet. He must be currently Britain’s most prodigious magic author.

Now then all together, what about a quick riffle of the cards around the world for Lewis Jones.

But this new stunt about which Lewis told me shows him in normal everyday clothes, with one hand outstretched and pressed flat against a wall but six feet above the passing crowd without any signs of suspension, defying the laws of gravity! And he stays that way for hours at a time. Lewis’s email included photographs of this stunt which looks absolutely stunning and attracts crowds of people, photographers and media.

Obviously people do not see him get into that position  in the initial stages as  some gimmickry is involved but the impact of seeing him suspended high above the crowd is indeed a great street performing stunt that I haven’t heard of before.

If you’d like to see these stunning pictures check out Gee Mahabir at Gee Whizz Magic.